Featured Art Exhibits
Alfonso Pérez Acosta
Gellman Room & 1930’s Foyer
Alfonso Pérez Acosta is a visual artist from Colombia, living and working in Richmond, Virginia since 2015. With a formation in Fine Arts and a Master’s in Education, his practice sits at the intersection of art and education, employing multimedia languages in a variety of community-based projects, with a special interest in contemporary drawing and healing practices. Most relevant works include the Settling Tables project with the VMHC, the Together We Rise mural for the Mending Walls project and the creation of Casa Lápiz Art Program for middle school students at the Sacred Heart Center. His recent exhibitions include Lengua Twister at Art180, The Barefoot Circle at Lewis Ginter Botanical Garden and the Trust Building’s mural series in Richmond.

Emily Vaughan Brown
1930’s Foyer & 2nd Floor Gallery
In this series I explore myself as a dog. Being open to baser instincts, seeking comfort and pleasure. Always leaning towards freedom, joy, and human companionship. I have always admired a dog’s ability to maintain complex relationships with people and yet at the same time being so unrestrained it is almost comedic. The Dog Knows is about the wisdom that emerges in the relationships between humans and animals. In our animal counterparts we are able to explore our ego and psyche on a deeper and unrefined level: detached from the confines, expectations and rules of society we absorb since infancy. Dogs have always been my favorite subject matter. Probably since before I could speak. Returning to this subject matter in a more elevated or advanced way is meditative and deeply introspective, the center of the spiral. Not only are dogs the most fun to paint because they are complex and beautiful but they represent myself, my ‘pool of unknown/secret desire’, (a phrase I found myself repeating throughout this series in my journal) as well as instinctive fears, alternate realities, fantasies and all of human psychology. Really what this series is about is about learning how to have fun making art again. If dogs are fun then I will paint them. Because this is how an art practice will become most sustainable, most ingrained into our lives. If you want to have fun making art again you have to make everything else boring.
