Featured Art Exhibits
Trina Zongker
Dooley Hall
Born and raised in the mountains of Roanoke, Virginia Trina L. Zongker is an Asian-American female artist who has lived in Richmond for over 12 years. She graduated from VCU with a degree in English and primarily focused on creative writing.
Inspired by master luminescence landscape painter Albert Bierstadt, she hopes to replicate a similar emotion to his work—a reaction. With paraphrased escapism and nostalgia, her landscape work exudes post-impressionism. Some pieces create a subtle deja vu rooted with realism and mysterious wonder.
Spending most of her childhood in libraries, she hopes to spread the encouragement of accessibility of the arts including literature.
You can find more of her work on instagram @trnzngkr or by visiting her website: trinazongker.com
Inspired by master luminescence landscape painter Albert Bierstadt, she hopes to replicate a similar emotion to his work—a reaction. With paraphrased escapism and nostalgia, her landscape work exudes post-impressionism. Some pieces create a subtle deja vu rooted with realism and mysterious wonder.
Spending most of her childhood in libraries, she hopes to spread the encouragement of accessibility of the arts including literature.
You can find more of her work on instagram @trnzngkr or by visiting her website: trinazongker.com
F-22 Group
Gellman Room
F-22 Group invites you to enjoy Music For Your Eyes! We are a small group of seasoned photographers with over three hundred years of combined experience. Each of us has been published locally, nationally, or worldwide and own numerous personal recognitions from a lifetime of photography experience.
Darlene Anita Scott
2nd Floor Gallery
Multidisciplinary artist, scholar, and writer darlene anita scott explores corporeal presentations of trauma and the violence of silence, especially in Black girls. Author of Marrow: Poems (University Press of Kentucky) and co-editor of the creative/critical volume Revisiting the Elegy in the Black Lives Matter Era (Routledge), scott’s scholarship on Black girlhood appears in Ourselves in Our Work (Peter Lang) and she has exhibited her artwork on the “good girl” widely including as cover artist for Girls In Global Development: Figurations of Gendered Power (Berghahn). Her latest, ARC, is a collection of photographs that captures the ever-changing lens of positionality: what it makes available, its inevitable blind spots, and a lesson that blind spots don’t have to be permanent.